- Reactive load captures sound from head and cabinet
- Hammond Direct input lets you record quietly without an amp
- AccuState™ low-noise input circuit
- 300W extension for deeper bass tones
The most astonishing results are obtained when patching the JDX in between a head and cabinet. The JDX captures the sound from the head while the reactive load captures the back electro-magnetic impulse from the loudspeaker. Advanced multistage filters shape the tone to emulate the sound of a 4×12 half stack. For quick tracks and overdubs, you can plug your guitar into a distortion and then into the JDX and get a great consistent sound without having to move mics around or trying to manage variables such as room acoustics and amp levels. And with this new 500 series module, bass amps can join into the fun! Use the standard 4×12 emulation to capture the robust mid-range tone of an SVT or power-up the bottom end using the low frequency extension. Choice of 100 and 300 watt settings are available. The on-board low-pass filter gently smoothes the top end to tame overtly bright amps.
The JDX employs 100% discrete electronics and transformer isolation to create the analogue tone and the 500 series modular format makes it super easy to Reamp™ a track and warm it up. As with all Radial 500 series modules, the JDX is backwards compatible with older racks while integrating all of the new capabilities found in the Workhorse including direct connection to the mix buss and the Omniport , which in this case is designated as a direct box out to capture the live performance.
Plug & play easy to use, the JDX lets you record without having to mic your guitar amp each time. It delivers tremendous consistency from track to track while producing the realism of 4×12 half stack cabinet.
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